UC-NRLF 


B    3    TEE    33M 


ONE     HUNDRED 
ILLUSTRATED     BOOKS 


THE    GROLIER    CLUB 
DECEMBER  An.  Dom.  MCMXXI 


L>-»^  v^'A  *«  tv-*^        cT  ^  ^     \  oc^^v^  <^ 


A  CATALOGUE  OF 
ONE  HUNDRED 
ILLUSTRATED   BOOKS 

I  47  2  -  I  8  96 


AN  EXHIBITION  HELD  IN 

NOVEMBER  AND 

DECEMBER 

I92I 


NEW   YORK 

THE  GROLIER  CLUB 

I92I 


-^ 


SCHOOL 


NOTE 

AT  least  since  the  time  of  Dr.  Dibdin, 
who  seems  to  have  been  the  first 
writer  on  bibliographical  subjects  to  repro- 
duce old  illustrations,  there  have  always 
been  collectors  in  England  and  on  the  Con- 
tinent of  Europe  who  have  sought  books  for 
the  sake  of  the  pictures  they  contain.  In 
America,  however,  ardent  and  serious  as  its 
collectors  were  and  are,  few  seem  to  have 
paid  attention  to  the  fine  art  of  illustration 
and  there  is  no  American  consensus  of  opin- 
ion in  regard  to  it.  To  a  great  extent  this 
is  due  to  the  fact  that  there  is  no  general 
guide  to  the  history  or  the  criticism  of  book 
illustration  from  the  beginning  to  the  end 
of  the  nineteenth  century.  There  are  many 
bibliographies  and  accounts  of  special  groups 
of  illustrated  books  and  many  essayists  have 
devoted  their  skill  to  the  appraisement  of 
isolated  volumes,  but  as  yet  no  one  has 
attempted  a  survey  of  the  field. 

The  exhibition  which  is  here  catalogued 
is  therefore  to  a  certain  extent  a  new  en- 
deavor, as  it  is  perhaps  the  first  attempt 

v 


m.i260 


NOTE 

in  this  country  to  place  about  the  walls  of  a 
single  gallery  one  hundred  representative 
books  printed  between  the  years  1472  and 
1896  which  were  selected  from  the  available 
material  solely  on  account  of  the  artistic 
merit  of  their  illustrations.  Others  faced  by 
the  same  problem  would  undoubtedly  make 
a  different  selection,  and  should  this  list 
encourage  them  to  try  their  hands,  its  print- 
ing will  be  more  than  justified. 

It  is  proper  to  state  that  as  the  volumes 
exhibited  were  selected  not  for  their  rarity 
or  provenance  but  for  the  merit  of  their  illus- 
trations as  prints,  they  do  not  in  all  cases 
belong  to  the  editions  in  which  those  illus- 
trations made  their  earliest  appearance.  A 
reference  to  the  appended  bibliography,  how 
ever,  will  enable  any  one  to  obtain  full  data 
concerning  this  matter. 


VI 


CATALOGUE 

The  items  are  listed  chronologically  by 
schools  under  countries. 

To  save  the  space  which  would  have 
been  required  for  adequate  description,  ini- 
tial citations  have  been  made  to  certain 
of  the  reference  books  mentioned  in  the 
appended  bibliography. 

1  Boccaccio,  de  praeclaris  mulieribus 

— Ulm,  Zainer,  1473  (H*3329) 

Cuts — Schr.  3510,  M.  95,  Bib.  iv,  p.  438,  P.  F.  B., 
P.  E.  I.  B.,  M.  G. 

2  The  Bible,  in  Low  German — Lubeck, 

Arndes,  1494  (H.   3143) 

Cuts— Schr.  3467,  M.  713,  M.  G.,  P.  F.  B.,  P.  E.  I. 
B. 

3  RoDERicus,  Spiegel  des  menschlichen 

Lebens — Augsburg  (H.*i3948) 

Cuts — Schr.  5102,  M.  15,  Bib.  iv,  p.  440,  P.  F,  B., 
M.  G.,  J.  P.  M. 

4  Breydenbach,   Peregrinations — 
Mainz,  i486  (H.*3956) 

Cuts  by  Rewich — Schr.  3628,  Bib.  iv,  p.  454,  M. 
639,  P.  F.  B.,  P.  E.  I.  B.,  J  &  C,  W.  J.  L., 
M.  G.,  J.  P.  M.,  K.  K.  H. 

5  Schatzbehalter — Nuremberg,   1491 

(H.*i4507) 

Cuts  by  Wolgemut — C.  D.  i.  p.  241,  M.  423,  Schr. 
5202,J.  P.  M.,  M.  G. 


CATALOGUE 

6  HiSTORiE  VON  Alexander — Strasburg, 
Schott,  1493  (H*793) 
Cuts— Schr.  3 140,  J.  P.  M. 

7  Boccaccio,  de  praeclaris  mulieribus 
— Louvain,  1487  (H.  3331) 
Cuts— W.  M.  C.  p.  128,  M.  G.,  J.  P.  M.,  P.  F.  B. 

8  LuDOLPHUs  DE  Saxonia,  Leven  ons 
Heeren — Delft,  1488  (Camp.  1182) 
Cuts— W.  M.  C,  J.  P.  M. 

9  Valturius,  de  re  militaria — Verona, 

1472.  (H.*i5847) 

Cuts— K.  K.  H.,  L.,  P.  F.  B.,  P.  I.  B.,  P.  E.  I.  B., 
J.  P.  M. 

10  iEsop,  Fabulae — Naples,  Tuppo,  1485 

(H.  353) 
Cuts— L.,  P.  I.  B.,  P.  F.  B.,  P.  E.  I.  B.,  K.  K.  H. 

11  Petrarch,  Triumphi — Venice,  1490 

(H.   12771) 
Cuts— Es.  77,  L.,  J.  P.  M. 

12  Ketham,  Fasciculo  de  Medicina — 
Venice,  5  Feb.  1493  (Es.  586) 
Cuts— L,  J.  P.  M.,  P.  F.  B.,  P.  I.  B.,  P.  E.  I.  B. 

13  CoLONNA,    Hypnerotomachia — Venice, 

1499  (H.*55oi) 

Cuts— Es.  1 198,  P.  F.  B.,  P.  E.  I.  B.,  P.  I.  B.,  App., 
J.  P.  M. 

14  iEsop,  Fabulae — Venice,  1508  (Es.  365) 
Cuts — L. 


one  hundred  illustrated  books 

15  Savonarola,  Tractato  della  ora- 
TIONE — Florence,  1492  (H.  14405) 
Cuts— K.  F.  W.  3826,  J.  P.  M. 

16  Savonarola,  Tractato  della  Humil- 
ITA — Florence  (M.  14375) 
Cuts— K.  F.  W.  394b,  J.  P.  M.,  Gru. 

17  Savonarola,  Tractato  del  amore  di 
Jesu — Florence  (H.*i4348) 
Cuts— K.F.W.  374c. 

18  Savonarola,  Operette — Florence 

(H.  14451) 
Cuts— K.  F.  W.  381a,  J.  P.  M.,  Gru. 

19  Savonarola,  sopra  i  dieci  comanda- 
MENTi  DI  dio — Florence  (H.  14443) 
Cuts— K.  F.  W.  377b,  J.  P.  M.,  Gru. 

20  Epistole  et  Evangelii,  et  Letioni — 
Florence,  Giunta,   155 1 

Cuts— K.  F.  W.,  P.  F.  B.,  D.  P.,  L.,  Fi. 

21  HoRAE  AD  usuM  RoMANUM — Paris,  Ver- 
ard,  20  Aug.  1490  (Lac.  21) 
Cuts— Macf.  202,  Lac,  J.  P.  M.,  CI. 

22  HoRAE  AD  USUM  RoMANUM — Paris 
Cuts-J.  p.  M.  575,  CI. 

23  HoRAE  AD  USUM  RoMANUM — Paris, 
Pigouchet,  16  Sept.  1498  (Lac.  64) 

Cuts— Lac,  J.  p.  M.,  M.  F.,  P.  F.  B.,  P.  E.  1.  B., 

Bib.,  CI.,  Sol. 


CATALOGUE 

24  HoRAE  AD  usuM  RoMANUM — Paris,  Tory, 

I53I 

Cuts  by  Tory — Ber.,  Did.,  Lac. 

25  St.  Augustine,  La  Cite  de  Dieu — 
Abbeville,  Dupre,  i486  (H.  2070) 
Cuts— P.  F.  B.,  P.  E.  I.  B. 

26  LuCAN,  SuETOINE  ET  SaLUSTE  en  FRAN- 
COYS — Paris,  1490  (H.  10244) 
Cuts— Macf.  12,  J.  P.M.,  CI. 

27  Paris  et  Vienne — Paris,  Treperel 
Cuts— J.  P.  M.  534,  CI. 

28  Tristan  Chevalier  de  la  Table  Ronde 
— Paris.  Verard  (Macf.  193) 
Cuts-J.  P.  M.  555,  CI. 

29  Brandt,  StultiferaNavis — Basel,  1497 

(H.  3746) 

Cuts  by  Diirer,  etc. — M.  480,  Schr.  3567,  Bib.  v, 
p.  47,  P.  E.  I.  B.,  P.  F.  B.,  Fr. 

30  Die  HEIMLICH  OFFENBARUNG  lOHANNIS 

Nuremberg,  Diirer,  1498        (Schr.  3340) 
Cuts  by  Durer— C.  D.  i.,  p.  260,  M.  834,  Fr.,  Th. 

31  Hroswitha,   Opera — Nuremberg,    1501 

(M.  458) 

Cuts  by  Durer — C.  D.  i.  p.  261,  Fr.,  Th. 

32  ChELIDONIUS,      PaSSIO      DOMINI      NOSTRI 

Jesu.  .  . — Nuremberg,  15 11 

Cuts  by  Durer — C.  D.  i.  p.  262,  Fr.,  Th, 


one  hundred  illustrated  books 

33  Chelidonius,  Passio  Christi  ab  Al- 
berto DiJRER.  .  .  EFFIGIATA.  . — Nu- 
remberg, 15 1 1 

Cuts  by  Diirer — C.  D.  i.  p.  262,  Fr,,  Th. 

34  Chelidonius,  Epitome  in  Divae  Par- 
THENICES  Mariae.  . . — Nuremberg,  1511 
Cuts  by  Diirer — C.  D.  L,  p.  262,  Fr.,  Th. 

35  Pfintzing,  Theurdank — Augsburg, 
1517  (M.   845) 

Cuts  by  Burgkmair,    Beck,    &c. — C.   D.   passim, 
M.  G. 

36  Cicero,  Officia — Augsburg,  1535 

(M.  881) 

Cuts  by  Weiditz — C.  D.  ii,  Rot. 

37  [Holbein],    Les    simulachres    &    his- 

TORIEES  faces  DE  LA  MORT Lyons,  I538 

Cuts  by  Holbein— Wolt.,  Douce,  K.  K.  H.,  J.  & 
C,  W.  J.  L. 

38  HiSTORIARUM        VETERIS        InSTRUMENTI 

IcoNES — Lyons,  1538 

Cuts  by  Holbein— Wolt.,  D.  H.  B.,  K.  K.  H.,  J. 
&  C,  W.  J.  L. 

39  LiBRO     DEL     BATTAGLIE     DEL     DaNESE 

Milan,  1513  (K.  L.  G.  125) 

Cuts— K.  L.  G. 

40  ViTRUvius,  DE  Architectura — Como, 
1521  (K.  L.  G.  362) 

Cuts  by  Cesariano — L.,  K.  L.  G.,  K.  K.  H. 

5 


catalogue 

41  Verdizotti,  Cento  Favole  Morali — 
Venice,  1586 

Cuts  by  Verdizotti — K.  K.  H. 

42  FONTANA,    DELLE    TRASPORTATIONE     DEL 

Obelisco  Vaticano — Rome,  1590 
Plates  by  Fontana — Blom. 

43  Homer,  Les  dix  premiers  livres  de 
l'Iliade.  .  . — Paris,  1545 

Cuts— P.  F.  B.,  M.  F. 

44  C'est  l'ordre  qui  a  este  tenu  a  la 

NOUVELLE.    .    .    ENTREE.    .    .      (dE     HeNRI 

II) — Paris  (1549) 

Cuts  by  J.  Goujon— Ber.,  M.  F.,  Did.,  K.  K.  H. 

45  Paradin,  Historiarum  memorabilium 
EX  genesi  descriptio — Lyons,  1558 

Cuts  by  Bernard  Salomon — J.  &  C,  W.  J.  L. 

46  Ovid,  La  vita  et  metamorfoseo — Ly- 
ons, 1559 

Cuts  by  Bernard  Salomon — J.  &  C,  M.  F.,  W. 
J.  L.,  P.  F.  B. 

47  Virgil,  Eneide — Lyons,  1560 

Cuts  by  Bernard  Salomon — J.  &.  C,  W.  J.  L. 

48  Colonna,     Hypnerotomachie  —  Paris, 
1561 

Cuts  attr.  to  J.  Cousin— Did.,  M.  F.,  P.  F.  B. 

49  Humbert,  Henri,  Combat  a  la  bar- 
riers. .  .  — Nancy,  1627 

Plates  by  Callot— K.  K.  H. 

6 


ONE    HUNDRED    ILLUSTRATED    BOOKS 

50  LoNGUs,  Les  amours  de  Daphnis  ET 
Chloe — Paris,  1718  (Co.  648) 
Plates  by  Audran— B.  I.,  P.  &  B.,  P.  F.  B.,  R.  P. 

51  La    Fontaine,    Contes — (Paris),    1762 

(Co.  558) 

Plates  after  Eisen  and  Choffard— B.  31,  P.  &.  B., 
Dil.,  P.  F.  B.,  R.  P. 

52  OviDE,  Les  Metamorphoses — Paris, 
1767  (Co.  770) 

Plates  after  Boucher,   Eisen,   Gravelot,   Moreau, 
&c.— B.  42,  P.  &.  B.,  Dil.,  P.  F.  B.,  R.  P. 

53  DoRAT,  Les  Baisers — The  Hague,  1770 

(Co.   308) 

Plates  after  Eisen  and  Marillier — B.  40,  P.  &  B., 
Dil,  P.  F.  B.,  R.  P. 

54  Montesquieu,  Le  Temple  de  Gnide — 
Paris,  1772  (Co.  726) 
Plates  after  Eisen— B.  117,  P.  &.  B.,  Dil.,  R.  P. 

55  Anacreon,  Sapho,  Bion  et  Moschus — 
Paris,  Le  Boucher,  1773  (Co.  79) 
Plates  after  Eisen— B.  60,  P.  &.  B.,  P.  F.  B.,  P.  R. 

56  De  la  Borde,  Choix  de  Chansons — 
Paris,  1773  (Co.  534) 

Plates  after  Moreau,  &c.— B.  62,  P.  &  B.,  Dil.  R.  P. 

57  Rousseau,    Oeuvres — London     (Brus- 

sells),  1774  (Co.  908) 

Plates  after  Moreau,  Choffard,  &c.— B.  84,  P.  & 
B.,  Dil.,  R.  P. 


CATALOGUE 

58  [Le  Monument  du  Costume] — Paris, 
1775-83  (Co.  352) 
Plates   by  Moreau  and   Freudeberg — B.    102,   P. 

&  B.,  Dil,  R.  P. 

59  DioNis  DE  Sejour,  L'Origine  DES 
Graces — Paris,  1777  (Co.  306) 

Plates  after  Cochin— B.  83,  Dil.,  P.  &.  B. 

60  DeSORMEAUX,    HiSTOIRE    DE    LA    MAISON 

DE  Bourbon — Paris,  1779  (Co.  299) 

Plates  after  Moreau,  Choffard,  Boucher,  Fragon- 
ard,  &c.— B.  90,  P.  &.  B.,  Dil,  P.  F.  B. 

61  Beaumarchais,  La  Folle  Journee.  .  . 
— Kehl,  1785  (Co.  124) 

Plates  after  Saint-Quentin — B.  113,  P.  &  B.,  P.  R. 

62  La  Fontaine,  Contes — Paris,  1795 

(Co.  574) 
Plates  after  Fragonard— B.  138.,  R.  P.,  P.  &  B. 

63  Rousseau,  La  Nouvelle  Heloise — 
Paris,  1808  (Co.  906) 
Plates  after  Prudhon .— R.  P.,  P.  &  B. 

64  Sterne,  A  Sentimental  Journey — 
London,   1792. 

Plates  after  Stothard — 

65  Blake,  Songs  of  Innocence  and  Ex- 
perience— London,  1794 

Color  plates  by  Blake — G.  C,  Gil.,  Rus. 

66  Bewick,  The  History  of  British 
Birds — Newcastle  (1832) 

Cuts  by  Bewick,  &c.— A.  D.,  W.  J.  L.,  J.  &  C. 

8 


one  hundred  illustrated  books 

67  [Combe],  The  Microcosm  of  London — 

London, 1808 

Color  plates  by  Rowlandson  and  Pugin — Grego., 
G.  C.  R.,  Har. 

68  Rogers,  The   Pleasures  of  Memory 
— London,  18 10 

Cuts  by  Stothard,  engr.  by  Clennell — A.  D.  p.  192, 
J.  &  C,  W.  J.  L. 

69  Puckle's  Club — London,  1817 

Cuts  bv  Thompson — Bib.  viii,  p.  419,  W.  J.  L., 
J.  &  C. 

70  Thornton,  The  Pastorals  of  Virgil 
— London,  1821 

Cuts  by  Blake — G.  C,  Rus.,  Gil. 

71  Walton,    The    Complete    Angler — 
London,  Major,  1822 

Plates  and  cuts  by  various  hands — 

72  Grimm,    German    Popular    Stories — 
London,  1823-26 

Plates  by  Cruikshank — 

73  The  Book  of  Job — London,  1825 

Plates  by  Blake — G.  C,  Gil.,  Rus, 

74  A  Picturesque  Tour  of  the  Thames — 
London  (1828) 

Color  plates  after  Westall — Har. 

75  Rogers,  Poems — London,  1830 

Plates  after  Turner — 


catalogue 

76  Walton,    The    Complete    Angler — 
London,  Pickering,  1836 
Plates  after  various  hands — 

']']  Saint-Pierre,  Paulet  Virginie — Paris, 
1838  (Br.  p.  388) 

Cuts  by  Meissonnier,  Johannot,  Isabey,  &c. — B. 
264. 

78  Les  Franqais  peints  par  eux-memes — 
Paris,  1840  (Br.  p.  157) 

Cuts  by    Daumier,  Meissonnier,   Gavarni,   &c. — 
Ru.  21,  Fuchs,    B.  279. 

79  Fabre,  Nemesis  Medicale — Paris,  1840 

(Br.  p.  141) 

Cuts  by  Daumier — Ru.  47,  Fuchs. 

80  Huart,  Museum  Parisien — Paris,  1841 

(Ru.  20) 

Cuts  by  Daumier,  Gavarni,  &c. — Fuchs. 

81  Sylvius,  Physiologie  du  Poete — Paris, 
1842  (Br.  p.  327) 
Cuts  by  Daumier — Ru.  25,  Fuchs,  B.  280. 

82  La  Grande  Ville — Paris,  1842 

(Br.  p.  184) 

Cuts  by  Gavarni,  Daumier,  &c. — Ru.  45,  B.  287, 
Fuchs. 

83  Chants  at  Chansons  de  la  France — 
Paris,  1843  (Br.  p.  94) 
Plates  by  Daubigny,  &c. — B.  291. 

10 


ONE    HUNDRED    ILLUSTRATED    BOOKS 

84  Le  Diable  a  Paris — Paris,   1845 

(Br.  p.   124) 

Cuts  by  Gavarni,  &c. — B.  303. 

85  HuART,  Ulysse — Paris,  1852        (Ru.  4) 

Cuts  by  Daumier — Fuchs. 

86  Rabelais,  Oeuvres — Paris,   1854 

(Br.  p.  346) 

Cuts  by  Dore — B.  60. 

87  Chevigne,  Les  Contes  Remois — Paris, 
1858  (Br.  p.  100) 

Cuts  by  Meissonnier — B.  313. 

88  France,  Filles  et  Garcons — Paris 

Process  blocks  after  Boutet  de  Monvel. 

89  KuGLER,   Geschichte   Friedrichs   DES 
Grossens — Leipzig  (i860) 

Cuts  by  Menzel— Osb.,  G.  W.,  B.  273. 

90  Bechstein,    Maerchenbuch — Leipzig, 

1853 

Cuts  by  Ludwig  Richter — Osb, 

91  Christenfreude  in  Bild  und  Lied — 
Dresden 

Cuts  by  Ludwig  Richter,  &c. — Osb. 

92  Tennyson,  Poems — London,  1857 

Cuts  by  Rossetti,  Millais,  Hunt,  &c. — G.  W.,  Lay. 
II 


catalogue 

93  The  Arabian  Nights  Entertainments 

— London,  1863. 

Cuts  by  Houghton,  Tenniel,   &c. —  G.  W.,   Bib. 
iii,  p.  275. 

94  The  Parables  of  our  Lord — London, 

1864 

Cuts  by  MiUais— G.  W. 

95  Thornbury,  Historical  and  Legend- 
ary Ballads  and  Songs — London,  1876 

Cuts  by  Whistler,  Sandys,  Millais,  Keene,  &c  — 
G.  W.,  Bib.  ix,  p.  60. 

96  [Caldecott],The  Three  Jovial  Hunts- 
men— London  (1880) 

Cuts  by  Caldecott — Har. 

97  Greenaway,  Marigold  Garden — Lon- 
don, (1885) 

Cuts  by  Kate  Greenaway — Har. 

98  Pyle,  The  Wonder  Clock — New  York, 

1888 

Process  blocks  after  Pyle — 

99  Old  Songs — New  York,  1888 

Cuts  by  Abbey  and  Parsons — 

100  Chaucer,    Works — Hammersmith, 

1896 

Cuts  by  Burne-Jones — (Kelmscott  Press). 


12 


BIBLIOGRAPHY 

The  following  books  will  be  found  of  in- 
terest to  any  one  who  pays  attention  to 
the  matter  of  book  illustration. 

A.  D.  DoBSON,  Austin — Thomas  Bewick  and  his 

Pupils.     London,  1884. 
App.  Appell,  J.,W. — The  Dream  of  Poliphilus. 

London,   1893. 

B.  Beraldi,   H. — Estampes  et  Livres,  1872- 

1892,  Paris,  1892, 
Ber.  Bernard,  A. — Geofroy  Tory,  Paris,  1865. 

Bib.  BiBLiOGRAPHiCA,  LondoH,  1895-97. 

Blom.  Blomfield,      Reginald  —  Architectural 

Drawing  and  Draughtsmen,  London, 
1912. 

Camp.  Campbell — Annales    de    la    typographie 

neerlandaise  au  xv*  siecle.  La  Haye, 
1874. 

CD.  DoDGSON — Catalogue    of   Early     German 

and  Flemish  Woodcuts.  .  .  in  the  Brit- 
ish Museum,  London,  1903-11. 

CI.  Claudin,    a. — Histoire    de    ITmprimerie 

en  France,  Paris,  1900. 
Co.  Cohen,  H. — Guide  de  I'Amateur  de  Livres 

a  Gravures  du    XVIII*  Siecle.     6  ed. 

Paris,  1912. 

Dela.  Delaborde — La  Gravure  en  Italie  avant 

Marc-Antoine,  Paris  (1883). 

D.  H.  B.  DiBDiN — Icones  Veteris  Testamenti,  Lon- 
don, 1830. 

Dil.  Dilke,   Lady — French      Engravers      and 

Draughtsmen  of  the  Eighteenth  Cen- 
tury, London,  1902. 

13 


CATALOGUE 

Did.  DiDOT — Essai.  .  .  sur     I'historie     de     la 

gravure  sur  bois,  Paris,  1863. 

Douce.  Douce,  Francis — The  Dance  of  Death, 

London,   1833. 

D.  P.  [Pollard] — [Introduction  to]  Epistole  et 

Evangelii.  .  .  the  woodcuts  of  the 
Florentine  Edition  of  1495  reproduced 
in  facsimile.  .  .  London,  1910. 

Es.  EssLiNG,  Prince  d' — Les  Livres  a  Figures 

Venitiens,  Paris,  1907-14. 

Fi.  Fisher,  R. — Introduction  to  a  Catalogue 

of  Early  Italian  Prints.  .  .  London, 
1886. 

Fr.  Friedlaender — Albrecht   Diirer,    Berlin, 

1919. 

Fuchs  FucHS,  E. — Honore  DaumierHolzschnitte, 

1833-1870,  IMunchen  (1919). 

G.  C.  Catalogue  of  Books,  Engravings,  ...  by 

William  Blake,  New  York,  The  Grolier 
Club,  1905. 

G.  C.  R.  A  Catalogue  of  Books  Illustrated  by 
Thomas  Rowlandson,  New  York,  The 
Grolier  Club,  1916. 

Gil.  Gilchrist,   A. — Life   of   William    Blake, 

London,    1880. 

Grego.  Grego,  Joseph,   Rowlandson  the  Carica- 

turist, London,  1880. 

Gru.  Gruyer,  G. — Les  illustrations  des  ecrits 

de  Jerome  Savonarole,  Paris,  1879. 

G.  W.  White,     Gleeson — English     Illustration 

'The  Sixties,'  London,  1906. 

H.  Hain — Repertorium         Bibliographicum, 

Stuttgardt,  1826. 

Har.  Hardie,  Martin — English  Coloured  Books, 

London,  (1906). 

J.  &  C.  Jackson    and    Chatto — A    Treatise    on 

Wood-Engraving,  London,  1861. 

14 


K. 

F. 

W. 

K. 

K. 

H. 

K. 
L. 

L. 

G. 

ONE    HUNDRED    ILLUSTRATED    BOOKS 

J.  P.  M.         Catalogue   of  Early    Printed    Books  .  .  . 
now  forming  portion  of  the  library  of 
J,  P.  Morgan,  London,  1907. 
Kristeller — Early  Florentine  Woodcuts, 
London,  1897. 

Kristeller — Kupferstich  und  Holz- 
schnitt  in  vier  Jahrhunderten,  Berlin, 
1905. 

Kristeller — Lombardische  Graphik, 
Berlin,  1913. 

LiPPMAN,  Fr. — The  Art  of  Wood-En- 
graving in  Italy  in  the  Fifteenth  Cen- 
tury, London,  1888. 

Lac.  Lacombe,     Paul — Livres    d'Heures    im- 

primes   au  xv*^    et  au   xvi^  siecle.  .  .  . 
Paris,  1907. 

Lay.  Layard,  G.   S. — Tennyson   and  his   Pre- 

Raphaelite  Illustrators,  London,  1894. 

M.  MuTHER,  R. — Die    deutsche    Biicherillus- 

tration  derGothik  und  Friihrenaissance, 
Munchen,  1884. 

Macf.  Macfarlane,    John — Antoine    Verard, 

London,  1900. 

M.  F,  Catalogue  of  .  .  .  early  French  Books  in 

the  library  of  C.  Fairfax  Murray,  Lon- 
don, 1910, 

M.  G.  Catalogue  of  .  .  .  early  German  Books  in 

the  library  of  C.  Fairfax  Murray,  Lon- 
don, 1913. 

Osb.  OsBORN,  Max — Der  Holzschnitt,  Leipzig, 

1905. 

P.  &  B.  Portalis  et  Beraldi — Les  Graveurs  du 

xviii«  Siecle,  Paris,  1880-82, 

P.  E.  I.  B.     Pollard,  A.  W. — Early  Illustrated  Books, 
London,  1893. 

P.  F.  B.         Pollard,   A.   W. — Fine   Books,   London, 
1912. 


CATALOGUE 

P.  I.  B.  Pollard,  A.  W. — Italian  Book  Illustra- 

tions, London,  1894. 

R.  P.  PoRTALis,    R. — Les    dessinateurs    d'illus- 

trations  au  xviii*  siecle,  Paris,  1877. 

Rot.  RoTTiNGER — Hans    Weiditz,    Strassburg, 

1904. 

Ru,  RuMANN,  A. — Honore  Daumier  Sein  Holz- 

schnittwerk,  Munchen,  1914. 

Rus.  Russell,  A.  G.  B. — The  Engravings  of 

William  Blake,  London,  1912. 

Schr.  ScHREiBER,  W.  L. — Manuel  de  I'Amateur 

de    la  gravure    sur    bois  ....   Berlin, 
1891-1911. 

SoL  SoLEiL,    Felix — Les    Heures    Gothiques, 

Rouen,  Auge,  1882. 

Th.  Thausing,  M. — Diirer,  Leipzig,  1884, 

W.  J.  L.  Linton,  W.  J. — The  Masters  of  Wood- 
Engraving,  London,  1889. 

W.  M.  C.  Conway,  W.  M. — The  Woodcutters  of  the 
Netherlands  in  the  Fifteenth  Century, 
Cambridge,  1884. 

Wolt.  WoLTMANN,  A. — Holbein  und  seine  Zeit, 

Leipzig,  1874. 

Bracquemond,  Felix — Etude  sur  la  gravure  sur  bois 
....  Paris,  1897. 

Brunet — Manuel  du  Libraire,  Paris,  1860-1880. 

BuTSCH — Die  Bucherornamentik  der  Renaissance.  .  .  . 

Leipzig,  1878. 

Crane,  Walter — Of  the   Decorative  Illustration  of 
Books,  London,  1905. 

DuPLESsis,    G. — Histoire   de   la    gravure   en    France, 
Paris,  1861. 

DupoRTAL — Etude  sur  les  livres  a  figures  edites  en 
France  de  1601  a  1660,  Paris,  1914. 

Guzman,  Pierre — La  gravure  sur  bois  et  sur  metal 
d'epargne,  Paris,  1916. 

16 


ONE    HUNDRED    ILLUSTRATED    BOOKS 

Hind,  A.  M. — A  Short  History  of  Engraving  and  Etch- 
ing. .  .,  London,  191 1. 

HoLTROP — Monuments  typographiques  des  Pays  Bays 
au  quinzieme  siecle.     The  Hague,  1868. 

LuTZOW,  c.  V. — Geschichte  des  deutschen  kupferstich 
und  holzschnitt,  BerHn,  1891. 

NijHOFF — L'Art   Typographique   dans   les    Pays    Has, 

1500-1540,  The  Hague,  1902,  etc. 
Ongania — L'Art  de  ITmprimerie  a  Venise,Venice,  1895. 

Pennell,   J. — Pen    Drawing   and    Pen    Draughtsmen, 

London,  1889. 

White,  Gleeson — Children's  Books  and  their  Illustra- 
tors. London,  1897. 


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